1.0Sanayi313https://sanayi313.com/en/BESRAY KÖKERhttps://sanayi313.com/en/paper/editors/besraykoker/REWRITING HISTORY: SIMONE LEIGH – SOVEREIGNTYrich600338<blockquote class="wp-embedded-content" data-secret="OOeUswSKtl"><a href="https://sanayi313.com/en/paper/finds/rewriting-history-simone-leigh-sovereignty/">REWRITING HISTORY: SIMONE LEIGH – SOVEREIGNTY</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://sanayi313.com/en/paper/finds/rewriting-history-simone-leigh-sovereignty/embed/#?secret=OOeUswSKtl" width="600" height="338" title="“REWRITING HISTORY: SIMONE LEIGH – SOVEREIGNTY” — Sanayi313" data-secret="OOeUswSKtl" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://sanayi313.com/wp-content/uploads/2022/07/AS-Simone-Leigh-feat.jpg897897Co-curated by Boston Institute of Contemporary Art Director Jill Medvedow and Chief Curator Eva Respini, the Sovereignty exhibition opens with the contributions of the Peggy Guggenheim Collection in Venice and the Salomon R. Guggenheim Foundation in New York. As the first black female artist to represent the USA at the Venice Biennale, Leigh was also featured in the main exhibition of the 2019 Venice Biennale (curated by Alemani) with her Brick House sculpture (4.9 meters), which got her the Golden Lion Award.