{"version":"1.0","provider_name":"Sanayi313","provider_url":"https:\/\/sanayi313.com\/tr\/","author_name":"S\u0130DN\u0130 KARAV\u0130L","author_url":"https:\/\/sanayi313.com\/tr\/paper\/editors\/sidnikaravil\/","title":"PERDE ARKASINDAK\u0130 EME\u011eE SAYGI DURU\u015eU","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"8qL4VGYDR6\"><a href=\"https:\/\/sanayi313.com\/tr\/paper\/case-series-tr\/perde-arkasindaki-emege-saygi-durusu\/\">PERDE ARKASINDAK\u0130 EME\u011eE SAYGI DURU\u015eU<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/sanayi313.com\/tr\/paper\/case-series-tr\/perde-arkasindaki-emege-saygi-durusu\/embed\/#?secret=8qL4VGYDR6\" width=\"600\" height=\"338\" title=\"&#8220;PERDE ARKASINDAK\u0130 EME\u011eE SAYGI DURU\u015eU&#8221; &#8212; Sanayi313\" data-secret=\"8qL4VGYDR6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/sanayi313.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/sanayi313.com\/wp-content\/uploads\/2025\/10\/2025_SANAYI_313_NEZAKET_EKICI_feat.jpg","thumbnail_width":1200,"thumbnail_height":1200,"description":"Sanayi313 PAPER\u2019\u0131n onuncu y\u0131l \u00f6zel say\u0131s\u0131; zanaatk\u00e2rl\u0131\u011f\u0131, yarat\u0131c\u0131l\u0131\u011f\u0131 ve sanat\u0131, Marina Abramovi\u0107\u2019in \u00f6\u011frencisi, modern ve postmodern performans sanat\u0131n\u0131n \u00f6nc\u00fclerinden Nezaket Ekiciyle bir araya getiriyor. Mizah ile ciddiyeti harmanlayan d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc performanslar\u0131yla tan\u0131nan Ekici, yeti\u015fti\u011fi Alman k\u00fclt\u00fcr\u00fcn\u00fc sorgularken T\u00fcrk k\u00f6kleriyle de derin bir ba\u011f kuruyor. Sanat\u0131 kavramsal ve felsefi temellere dayan\u0131yor. Her bir eseri b\u00fct\u00fcnc\u00fcl birer sanat yap\u0131t\u0131. Ekici, kapak g\u00f6rselimizde \u2018Emotion in Motion\u2019 (Hareket H\u00e2lindeki Duygu) adl\u0131 performans\u0131ndan ilhamla yaratt\u0131\u011f\u0131 bir eserle yer al\u0131yor. 2002 y\u0131l\u0131nda sergiledi\u011fi \u2018Emotion in Motion\u2019 performans\u0131nda Ekici, nesneleri \u00f6perek onlar\u0131n yap\u0131m\u0131nda harcanan g\u00f6r\u00fcnmeyen eme\u011fe sayg\u0131s\u0131n\u0131 sunuyor. Bu eylem, Sanayi313\u2019\u00fcn felsefesini \u00e7ok g\u00fczel bir \u015fekilde yans\u0131t\u0131yor; yaratt\u0131\u011f\u0131m\u0131z her \u015feyin ard\u0131ndaki \u00f6zveriye, eme\u011fe ve hik\u00e2yelere te\u015fekk\u00fcr.   Foto\u011fraf Nazl\u0131 Erdemirel"}